Others who were there were with me in high school, and as I attempted to project an airy erudition I suddenly recalled giving English Orals to a room full of underwhelmed and derisive teenagers. Fortunately, they are all now lovely and gracious women who were kind enough to come and listen without heckling.
   My high school English teacher was there, who knew me as an unformulated fourteen year old who spent her lessons surreptitiously eating Fritos and writing poetry on very small scrolls which I kept in a world sharpener in my pencil case. Also my Gym teacher, now in her eighties, who spent 12 years patiently trying to remedy my total failure on the sports field.
    In Cape Town, there were people who’d marched with me when I was a social activist sporting a Free Mandela button with stern opinions on What is to be Done; others who’d got to know me over the heads of our squalling infants in pushchairs; and more recent connections forged in the trenches defending a local wetland from developers.

__ I was very touched that all these people should feel moved to come to support my book launch, and it also felt quite fitting. After all, it is these myriad connections which have enabled my stories to grow. For while one tries to avoid stealing people’s lives too blatantly, there can be now doubt that the raw material of a writer is forged in these relationships.
I recall little of what was actually said at these events, but fortunately Liesl Jobson was at the Cape Town launch, and has written a great account on the BooksLive website, as well as supplying these fabulous pics. The extracts which I read aloud can be downloaded here.
So thanks to all who made this possible, especially to Ryno Posthumus and Fourie Botha of PenguinRandom House, Kate Rogan at LoveBooks and Mervyn Sloman and The Book Lounge team, and all those who came and smiled at me kindly and bought books. The novel is launched, and all that remains to be said is bless this book and all who sail in her.

Incredible Journey Teaser: Q&A with one of this year’s runners-up, Bridget Pitt

Posted By twodogs On July 28, 2015 @ 8:59 am In South Africa | Comments Disabled

Bridget Pitt is a 2015 Short.Sharp.Stories Judges’ Choice Runner-Up for her story “The Infant Odysseus”. Pitt is a Zimbabwe-born South African writer. Her first published writing appeared in the anti-apartheid newspaper Grassroots, and she has since written educational material for NGOs, school textbooks, poetry and fiction.

As your first time being a part of the Short.Sharp.Stories project how does it feel to be a prizewinner?

It’s firstly wonderful to be part of the Incredible Journey collection, and to feel part of this community of writers. And, of course, it is very gratifying to get the recognition of being a prize winner, although (as I remind myself on the many occasions I don’t win) the real satisfaction lies in writing as well as I can, and in touching others.

What does this year’s topic, ‘incredible journey’, mean to you?

It’s a very evocative topic, which resonated with me as soon as I’d read it. I think what is so powerful about it is that it captures a sense of process, that as living beings we are in a constant state of change – which can be disturbing, as we like to hold onto things, but is also liberating.

Speaking of constant state of change, is that why you chose a baby as the focus for your incredible journey story?

I felt that the baby’s journey, and the internal journeys that it sparked in the other characters who engaged with it, held a lot of powerful metaphors about us as individuals and as a society. Meeting a baby can be an invitation to relate to another human in a very authentic way – babies don’t judge us; we are not afraid to engage with them in case they take advantage, or think we’re stupid, or misunderstand our motives. They connect us with a time before we were formed – or damaged – by life. But they also connect us with our vulnerability as children, and as adults, which can be quite threatening. This baby also interested me because it was at once both vulnerable and resilient, like feelings of tenderness, or love, or hope.

Your story has a very distinct moment in it when your main character is appalled by her husband’s reaction so drastically different from her own. Have you had a moment like that, living in South Africa, when you’ve realised someone close to you has a completely different opinion?

I have often experienced this, and it is always disconcerting, especially when these responses are from someone I hold dear, or whom I’d assumed shared my views. The South African reality is highly contested, and can feel very personal if someone feels threatened or overwhelmed by the violence and injustice of it, so I suppose it is not surprising that we respond to it very differently.

In addition to the husband and wife having different reactions to the baby both women have a powerful yet different response to the baby – can you comment on this?

The women both have enormously complex relationships with the baby. The mother’s tenderness for the baby is evident, but equally evident are the burdens she carries of poverty and forced migration which make it almost impossible for her to care for her child. For Georgia, the baby is a portal both to her suppressed grief about her own lost child, and to a disturbingly intimate insight into the hardships faced by millions of mothers across the world. At some level, their respective reactions are quite primitive: a meeting between a mother and a barren woman longing for a child. The starkness of this encounter momentarily illuminates the strands of personal and social history that weave their relationship to the child and each other, simultaneously bringing them together and ripping them apart.

As someone who has written many different formats, from textbooks to poetry, which one do you find the most rewarding to write?

My first love is novels, but I like any writing. A successful poem is a wonderful thing, and not quite as arduous as a novel. Textbooks are very much on other people’s terms, but I enjoy finding ways to be creative within those strict parameters.

Describe your fiction writing process. Is it disciplined and 9-5pm or do you need to be in the mood?

I try to spend at least four hours on writing something every day, or at least working on writing-related stuff such as research or making submissions. Once I am fully into a novel, story or poem, I get a bit obsessive and have to drag myself away from it. Then I can go for twelve hours a day.

It sounds like you truly love what you do. Do you have any short story writing tip you can share?

This is hard, because when I read the great short story writers I feel like a total amateur. I think the challenge is to encapsulate something quite monumental and complex into a small moment, but I can’t really say how you do that. I can say “make every word count”, but of course that should as equally apply to a 400 page novel!

Do you believe you have a role in promoting South Africans’ interest in reading?

Hopefully all writers promote reading by writing stuff that is attractive to read. I do think we need to cultivate a reading culture, though, which is why I enjoy working on school-based material and material for children. I like finding texts and activities to make kids feel that reading can bring some inspiration and relevant narrative to their lives.

What can we expect from you next?

I have a novel [Notes From The Lost Property Department] coming out in September this year, which explores brain injury, mountains, secrecy, and the thorny challenge of forgiving your parents. I am also working on another novel, which delves into the issue of rhino hunting/poaching in the past, present and future, which I hope to finish by the end of next year.

Interview by Liz Sarant

Incredible Journey
AUTHORS: Edited by Joanne Hichens
RRP: R190
ISBN/EAN: 9781928230182
EXTENT: 256pp
RELEASE DATE: July 2015

ABOUT THE BOOK:Incredible Journey is the third of the annual SHORT.SHARP.STORIES anthologies. Following the crime-thrillers of Bloody Satisfied (2013) and erotic tales of Adults Only (2014), the focus in 2015 is on a journey, be it political, personal or emotional.
  The incredible journeys of this year’s title vary from road trips to mind trips, and are by turns inspirational, intriguing and entertaining. Those that have made this year’s shortlist have two things in common: 1) as in previous collections, they capture uniquely South African voices, and 2) they move the reader.
  The judges of this year’s competition are Henrietta Rose-Innes, Ken Barris and Makhosazana Xaba, with a foreword to the collection by Sindiwe Magona. To read more or to order the book go to http://www.burnetmedia.co.za.

Recently I had the great pleasure of reading Let’s tell this story Properly, an anthology of stories entered into the Commonwealth Short Story Prize. This collection provides a chorus of voices from throughout the Commonwealth, and I feel extremely privileged that my own story, Next Full Moon we will Release Juno, represents one of these.

The story that gives the anthology its title is by Ugandan writer Jennifer Nansubuga Makumbi, a sharply observed narrative on the death of a man with a secret from his wife. The protagonist’s ruthless honesty about herself and her relationship with her recently deceased husband  provides a wonderful insight into the community of the Ugandan diaspora, as well as a commentary on marriage, fidelity, and widowhood that is universal to all societies.

The other stories feature a humming bird, a smoking grandmother, a devil on a church outing, a mother lost to America, a Haitian cowboy, a woman married to a ghost, a mummified cat, an elusive giant squid, and (my own) a stuffed Kudu. They take us from Singapore in the 1920’s to pre-war Germany and modern day Jamaica. The narratives are satirical, tragic, compassionate and humorous, but all are wonderfully expressed and compelling to read.   Taken together, they form a remarkable portrait of the world we live in, with all its pathos, absurdity and delight.

Next Full Moon We’ll Release Juno
by Bridget Pitt

Long before we released Clarence on the Plains of Camdeboo, it was well known in Oupoort that Jonah was soft in the head.
       It was also well known that anyone who had a problem with that could sort it out with me. Jonah sometimes made me want to run up the koppie behind the Ouport and scream so loud that all the boulders would roll down the hill and bury the whole damn town. But he was my cousin and I had to keep him safe. 
        Jonah was always different. Ouma Saartjie said it was because he was born just as the blood-red midsummer Karoo moon was rising on one side of Oupoort, while the angry orange sun dipped below the ragged-toothed mountains on the other side.
        Auntie Jenna said we shouldn’t question God’s creations.
        If he hadn’t been different, I might have been jealous of him. Not only did he snatch my place as the youngest cousin, but, as our relatives never tired of remarking, he also ‘looked like an angel’. Oh, how those aunties would babble on about his green eyes, his curly hair bronzed with gold, his ‘tawny’ skin... Any kid who ‘looked white’ was admired (and also despised) in our neighbourhood, although Jonah didn’t look white so much as like a whole new breed of human, whereas I was just your standard issue Karoo laaitie.
        But when the aunties tried to cuddle him, Jonah would go rigid and silent, as if listening for instructions from a distant planet on how to manage a life-threatening situation. And they would put him down, puzzled and a little afraid. When I saw that, I understood that Jonah needed someone to stand between him and the world. It seemed that he’d rather be squeezed by a python than hugged by an auntie, and I soon learnt to put myself in the path of relatives bearing down on him.
        Keeping him safe at school was a trickier business. On Jonah’s first day, Willie Kleinhans knocked him down in the playground and sat on top of him, pummelling him into the red earth like a secretary bird stomping on a snake. Jonah just lay there staring out at some dark star, and when I dived in and persuaded Willie to beat me up instead, he picked himself up and wandered off as if the whole thing had nothing to do with him. Every other day I had to punch someone for calling him spastic chicken brain or fish puke (which some genius coined after a Sunday school lesson about Jonah and the whale). Jonah never seemed to care about the insults, and never thanked me for defending him, but he was family. What else could I do? ...

So there is this place where I walk my dogs. I call it the Bosky Dell, but its official name is the Kirstenbosch Arboretum. It’s a sad place because once there were families living there whose homes were demolished under the Group Areas Act’. Now it has beautiful, lush growth as if the sorrow of its past has fertilised the ground. In spring it is carpeted with snowdrops and Arum lilies. In summer the grass grows high and hums with cicadas, and my dogs bound through it in a shower of golden grass seeds. 
    A river runs through it, clear water fresh from the mountain rushing over pale stones. At one point this stream forms a deeper pool, in a shaded, quiet moment beneath contemplative trees. The pool is fed by a small waterfall; gnarled and woody roots garland the water, fish and tadpoles flicker through the still depths, beneath the dart of dragon flies.
    Visiting this was once the highlight of my walk. It felt like a portal into wild, untouched spaces in distant forests, a reverent place that could bring me back into connection with myself and the earth. A place where I could feel the humility and serenity that comes from knowing you are just one small part of a very big dance.
    Until the day I came to find a word spray painted in dayglo orange on one of the trees. And the word was “God”.
    Any word would have been a destructive act of vandalism, but I think I would have preferred “Chantal loves Wayne”, or “DOG”, which was what Kennedy thought it was, as he read it from the bottom of the tree. (How thoughtful, he said. A tree especially for dogs, and he proceeded to honour it, as dogs do.) Because far from bringing God into the place, it just crushed its inherent spirituality and shoved God right out.
    I don’t pretend to know about God. I don’t subscribe to any formal religion. I’m with the Buddhists in thinking that a God conceived by humans is inevitably diminished by the limits of our imagination. Far from humans being created in God’s image, it seems to me that humans have cast God in their image, and all too often come up with a small-minded vengeful God, a mean jealous God with a fragile ego. A God who is offended by homosexuality, for instance. Seriously? You think that a being who created a universe of which the world is one miniscule particle in an unbounded vortex of stars and galaxies, who spawned billions of life forms, who has watched humans evolve to find ever new ways of destroying the life, is going to be offended by two men wanting to love each other?
    I think God would be a lot more annoyed by someone defacing a tree. A lot of work went into that tree. Millions of years of evolution, to get it from a single celled amoeba into a multicellular brachiate and intricately functioning organism.
    The Dayglo GOD got me thinking about the phrase “taking God’s name in vain”. There’s a lot of that going on these days. And I don’t mean yelling “Jesus Christ” when you stub your toe. I mean perpetrating acts of cruelty, or abuse, or greed and claiming that you are acting for God. Like kidnapping school girls, gunning down cartoonists*, launching air strikes, or attacking women who choose to abort a pregnancy; Like denying children knowledge of evolution, or robbing people of their homeland and their birthright. Pretty much an endless list, going back way into the dark ages - as long as there has been a formal religion there have been those bandying God’s name about to justify any old thing, from burning women accused of witchcraft to systematically stealing from peasants.
    There are enlightened pro-religious thinkers who decry this abuse of God’s name, who claim that it is an aberration, the exception rather than the rule. But when the abuse is so widespread, you have to question whether it is not intrinsic to organised religion. In particular to those religions whose doctrine dictates that God loves only those who subscribe to a particular belief. There is no theistic religion in which believers have not used God’s name to justify atrocities – Christians, Jews, Muslims and Hindus all have blood on their hands.  This calls to mind the quote by Deepak Chopra: “God gave humans the truth, and the devil came and he said, 'Let's give it a name and call it religion’”.
    It is nice to imagine old Beezlebub skipping through the Bosky Dell with a can of orange dayglo paint and defacing the tree, but I have no doubt that the devil was invented by priests to rule their subjects with fear, and to absolve themselves of responsibility. As in “The devil made me do it.” It wasn’t the devil but humans who distorted the truth with religion, and infused it with all their self-serving barbarous narratives of righteous warfare and chosen races.
    So, speaking as one balanced on that rickety fence between vague agnosticism and stern atheism, I’d like to appeal to all the theists out there to start treating God’s name with a lot more respect. Don’t wave it around to endow acts of barbarism with glory. Don’t shine it in people’s eyes to blind them to atrocities, or to turn lost young men into killing and raping machines. Don’t use it to perpetuate fear and ignorance. And please don’t use it to deface any more trees.

* NOTE: While I condemn the attacks on the French Cartoonists, I am wary of the simplification of this issue and the glorification of Charlie Hebdo. The following articles provide nuanced commentary on this:

The false debate between freedom of expression and religious extremism By Monia MazighUnmournable Bodies By Teju Cole 
Charlie Hebdo Is Heroic and Racist We should embrace and condemn it. By Jordan Weissmann